Clearly, the world was not anticipating a R-rated Hellboy reboot weeks before the release of Avengers: Endgame. Based on Mike Mignola’s terrific comics, Hellboy (2019) is the third attempt of the series. Despite its Deadpoolesque (or lack thereof) wit and gore, the David Harbour starrer bombed at the box office upon its release last week. We haven’t seen a comic book movie fail in this proportion for a long time. Seriously, what went wrong?
The 2019 version of Hellboy is starkly different from the previous two instalments directed by Guillermo Del Toro
Neil Marshall steps into the shoes of Del Toro and crafts a shamelessly violent yet wisecracking version of Hellboy. Marshall is known for horror and action movies and he orchestrated two Game of Thrones battles. His GoT connections justify the gorefest in Hellboy.
A brief (and digestible) origin story
At the height of world war 2, the Nazi’s initiated project Ragnarok, which brought the demon Hellboy on earth from the depths of hell. Trevor Bruttenholm (Ian McShane), the chief of B.P.R.D adopts and raises him to fight against the dark forces.
A below average villain
Mila Jovovich plays the role of a 5th-century sorceress (Nimue-the blood queen). She was defeated and dismembered by King Arthur in the ancient time. In a wicked turn of events, her disjointed body parts are retrieved from different corners of Britain in order to resurrect her in current time. Nimue and her pig giant henchman bring wrath upon the earth and she also has a crush on our main man Hellboy.
Nimue miserably fails to impress as a villain. She might have a similar agenda that of Thanos’, but her character lacks any kind of persona a baddie should possess.
This movie has an ensemble of forgettable supporting characters. There’s M11 special agent Ben Daimio (Daniel Dae Kim) who can evolve into a wolf by injecting a super serum. Alice Monaghan (Sasha Lane), a medium who can foresee the future teams up with Hellboy but for us she was a sidekick reject.
Only acting that warrants respect in this film is Ian McShane’s Bruttenholm. David Harbour is unquestionably the heart of this film. He delicately portrays a funny yet ruthless demon beneath the layers of his brilliant makeup.
The worst comic book movie of the decade (probably)
Ron Perlman and Del Toro’s Hellboy was not something we will root for in the future. Both Hellboy (2004) and Hellboy: The Golden Army (2008) were average flicks and earned passable box office money. But at least they were miles ahead in comparison with the reboot version. Lionsgate is going to lose a lot of money as the film fell flat at the theatres.
Another great comic book character wasted on the silver screen.
Watch Hellboy if you love the comics. There is an MCU style post credit scene which hints a sequel (which we don’t want for God’s sake). The soundtracks are cool. Check out the Smoke on the water cover by 2WEI.
First, they tried too hard to not be Marvel. Then they tried too hard to be Marvel. Turns out all they had to do was say the magic word. The DC Extended Universe finally gets it all right with “Shazam!”.
A refreshing break from the bleakness
For a long time the consensus was that the DC movies are to be significantly more dark and bleak than contemporary superhero films. The darkness was supposed to inspire a more realistic outlook. If done right, that could have turned out well. But it wasn’t executed right. So the DCEU tried to move on to a more cheerful theme, evident in the Justice League movie. Unfortunately that also didn’t turn out great, as perhaps the most awaited film ever had measly returns from the box office.
With Aquaman, the DCEU showed signs of vitality. And they have finally perfected the formula with Shazam. The most family friendly movie from the DCEU so far, Shazam attempts to inspire every adult to embrace the child in them. And every child to unfold the hero in them. The DCEU displays it’s knack for consistency, comedy and timing in this exhilarating Boy-of-Steel film.
A well told origin story
The most difficult part of a Superhero story told on the big screen is often the origin. Origin stories are a dime a dozen, and many of them are as good as one would imagine can get. While Shazam isn’t innovative, it is near perfect in execution. The film tells the story of 14-year old Billy Batson gaining the powers of the “Seven Elders” and his subsequent adventures in a simple and carefree fashion.
While it is easy to assume from the trailers or this review that the film is specifically kid-friendly, such is not the case. It explores dark aspects of the regular lives of people with straightforward realism. But unlike many contemporaries, the film attempts to teach the audience to deal with life’s many problems with a smile.
A genuinely good time
At its core, Shazam is a cheerful superhero tale, told with remarkable simplicity and style. It doesn’t try too hard to be something it is not. And that sets it apart from many of its contemporaries. Instead of pushing an overreaching theme or straining to set up some elaborate tale (it does that quite naturally), Shazam just offers its audience a good time at the theater. All the actors involved perform perfectly on their roles, especially the younger actors and Zachary Levi. Mark Strong’s acting is as strong as ever. Most importantly, everyone seems in touch with their characters.
So go watch Shazam in the STAR Cineplex. And let the magic entangle you for a good time.
Chronologically these are the three colours of the French flag and the national motto of the French Republic. But these six words have a different meaning to film lovers. Yes, I am talking about the three colors trilogy by Krzysztof Kieslowski. The films titled as Three Colors: Blue (1993), Three Colors: White (1994) and Three Colors: Red (1994) are supposedly based on the three mottos of the French Republic. Though Kieslowski has declined this possibility, one can loosely connect the mottos with the films.
Should you watch these films? Are they worth the time?
Let’s dive into
further discussion. (I’ll try to make it a spoiler-free review)
Awards and Nominations
To some people, movie quality is largely tied to its achievements. Well, for them, this trilogy is also heavy in awards and nominations.
Three Colors: Blue was awarded the best film in the Venice Film Festival of 1993. It was nominated in three categories at the 1994 Golden Globes.
Kieslowski won the award for Best Director for Three Colours: White in 1994 Berlin Film Festival.
Red had a total of 18 wins and 24 nominations. It was nominated for Palme d’Or
in the 1994 Cannes Film Festival. The winner of that year was Pulp Fiction by
You can get further details about the awards in the IMDb pages of these movies.
Now let’s stop judging art in a
materialistic way and start appreciating its beauty.
Three Colors: Blue (1993)
The first of the three films are written and directed by Kieslowski has shown one’s redemption from grief. The film shows us the emotional and mental state of someone grieving deeply. Even so, the filmmaking is melodic, expressive and sympathetic. The colour blue can be related to a lot of things. From cheerfulness to the distance to sadness, it can symbolize a range of emotions. The film takes this into account and it seems like the central character of the film bounces from one emotion to another. The talented actress Juliette Binoche gives an amazing performance. In several brilliant close-up shots, her expressions almost transcend emotional boundaries. The film puts a lot of emphasis on music. There are times when the colour blue merges with symphonies.
There is a lot
that can be talked about this film that too in an unspoiled way. One can talk
for hours just about the ending scene of this film.
I guess this
would inspire you to watch this film. If not, then we have two other movies in
Three Colors: White (1994)
This film is
based upon the most highly valued idea of the modern world, Equality. Unlike
the previous film of this trilogy, this film falls more under the black comedy
genre. White can be divided into three parts.
First is the
shame of inequality. The central character here faces inequality and
experiences a pitfall in life. From a dream of having everything to a reality
of having nothing. Then comes the second part or Transformation. The character
here faces something that changes his view towards life and he starts to
transform. The third and final part of the film is the blissful revenge or being
equal. Through a set of well-planned acts the central character here recovers
the inequality of the first part.
This film is also seen as a critic and satire towards post-communist Poland.
It also questions our morality. To what extent are we willing to go in the name of equality? Where do we draw the line between getting even and vengeance?
complex thoughts, the film gifts us a brilliant acting, powerful dialogues, and
obviously good cinematography. Just like Blue, this film has a lot of white in
Three Colors: Red (1994)
Just as the color suggests, this film is the warmest of all three of the films. This intellectual puzzle gifts and confuses us with various depictions.
In both the art direction and photographic design, the dominance of the color red is easily noticeable.
It is set to stand for both danger, anger, love and passion throughout the film. Also, at the end of the film, one can easily understand how it is linked to Fraternity.
Red has its
storyline revolved around three characters. One model, one retired judge, and
one young lawyer. The model runs over a dog and this leads to a series of
twisted and unpredictable events. When two of the three characters meet at
first it is easily assumed that something bad is about to come.
throughout the film make us question about the exitance of three characters.
Some might wonder that one character might be the younger version of another.
While others may relate one of the characters with god. God who knows all and
who orchestrates the lives of people.
The wonderful presentation of this film gives us the experience of being an eavesdropper.
We see how people with negative traits recover themselves with a touch of friendship and start to do wonderful things. The final moments of this film truly shock us with the connections from the two previous movies. Red goes short in emotional deepness compared to Blue and lacks the black comedy of White. But it makes up everything with its story and stylistic fertility.
movie will never be nominated for the Best Foreign Film Oscars because the country
of origin Switzerland has decided to reject it.
I had so much more to write about these three films, but I think it would be best if you give these three a watch and reveal by yourself. I’ll end with a quote from the director:
“All the films that I make are about the need to open up. About the need to communicate on another level rather than just talking about the quality of wine, car prices, flat prices or the best bank deposits.”