5 relatively underrated musicians you should try

Music is a soothing aspect of almost everyone’s life. It can be anything one needs at any point in time. A safe haven, a serene escape or a blazing motivator; these are just a few of the things music can be to a person. Discovering music new to one is often one of the greater joys a person can feel at a particular moment. Due to the busy life most of us lead, the magic of discovering music is lost to many. To help you find new music that can speak to your soul, here’s a few recent musicians/bands that might have flown under your radar. 

Read more: Great Bangladeshi bands that disappeared after their debut album

Eida

Suggested Tracks: Nightdriver, What it means

Eida can no longer be considered underrated. They are a local band, consisting of a few university students with a great collective (and individual) sense of humour; evident by the name. Their music, in simple terms, is akin to modern dream-pop and retro wave with influences from 1975, Gorillaz and even The Strokes.

But from a more curious perspective, Eida’s music is much more. This group of talented musicians are not afraid to experiment and wouldn’t limit themselves to any specific genre. Their tracks invoke a very melancholic mood, and it is well worth giving them a try.

Chitropot

Suggested Tracks: Shondha Hole

Another local group. I found these guys off a random YouTube autoplay. Their music closely resembles fusion, in that they use a curious combination of instruments. But again, you shouldn’t fit things in a box. Very simplistic tone, vocal performance and the sheer emotion make them worth checking out.

Mitski

Suggested: Be the Cowboy (Yes, the entire album)

An American singer-songwriter, Mitski emphasizes creativity and experimentation in her work. Be The Cowboy is her 5th and latest album; she self-released the first two. This album received critical acclaim upon release and sets itself apart from contemporary pop music and music in general. The artist has designed the album with very short tracks, but each track invokes emotion and tries to get a point across. I suggest taking some time with this album, it is truly spectacular.

Oblique

Suggested track: Krishnopokkho, Bhondo

Not much introduction is needed for local Rock band Oblique, after the success of Aloron last year. They have been around since 2007 and are known for their use of unconventional, thought inducing and emotional lyrics. Rumour is that they are about to release a new single. So go ahead and check out their work.

Courtney Barnett

Suggested Track: Need a little time, Sunday Roast

The Australian singer-songwriter has a very loyal following. Her lyrics are embedded with witty humour and delivered with a dry, deadpan singing style. The combination is usually hilarious, emotional and curious at the same time. The best way to describe the emotion her music invokes would be; it encourages you to get to know the singer better. It enforces the need to delve deeper into her work, and that is possibly the best thing any music can do for its creator. Try out her recent album “Tell me how you really feel”, and please do.

Most of the time the reason for detachment to enjoying music is a rut.

All you might need is a little help with getting out of the said rut and finding the joy in music again. So take these musicians as a start to discovering music and musicians again, and let us know about the less known musicians you enjoy.

The enduring legacy of the Concert for Bangladesh

My friend came to me with sadness in his eyes
Told me that he wanted help
Before his country dies;
Although I couldn’t feel the pain
I knew I had to try.
Now I’m asking all of you
To help us save some lives
Bangla Desh, Bangla Desh

It’s been 48 years and a day since George Harrison crooned “Bangla Desh” over his guitar at a pair of benefit concerts at Madison Square Garden. Forever memorializing both his friendship with Ravi Shankar and the image of the recording artist as a good global citizen.

The harrowing backgrounds

In November 1970, the Bhola cyclone had ravaged East Pakistan and West Bengal. Killing 500,000 people and displacing hundreds of thousands more. Then, as if to conspire with nature, the Pakistani army launched one of the most brutal military slaughters in modern history against the people of the East. Machine-gunning crowds of civilians, destroying whole villages and putting the torch to the dense slums of Dhaka.

An artist’s call of duty

The enduring legacy of the Concert for Bangladesh

Helplessly staring at the events from afar, Ravi Shankar set about to raise around $25,000.

First through the sale of his album, Joi Bangla, and then through a charity concert of his own. In the depth of his melancholy, he reached out to his friend George Harrison one day in Los Angeles.

“I was in a very sad mood, having read all this news, and I said, ‘George, this is the situation. I know it doesn’t concern you, I know you can’t possibly identify…’ But while I talked to George he was very moved, he felt very deeply, and he said, ‘Yes, I think I’ll be able to do something.’” Harrison himself later reflecting on the momentous occasion said, “The Concert For Bangladesh happened because of my relationship with Ravi … I said, ‘If you want me to be involved, I think I’d better be really involved,’ so I started recruiting all these people.”

As Shankar himself recounted in an interview published in the Rolling Stones magazine in 1971

The project began in earnest during the last week of June 1971, five or six weeks before the event took place on 1st August with Harrison as the principal mover, gathering musicians, making the phone calls, getting the commitments and setting up the show.

Concert for Bangladesh

Around the middle of July, the upcoming concert by “George Harrison and Friends” was announced, via a minuscule ad buried in the back pages of the New York Times.

On Sunday, August 1 1971, Shankar, Harrison and those “friends” – among them Bob Dylan, Eric Clapton, Leon Russell, Ringo Starr and the band, Badfinger – staged rock’s first mass act of philanthropy, for the 400,000-capacity crowd at Madison Square Garden, New York.

Steering clear of the complex geopolitics that was behind the near radio silence of the American media, Harrison chose instead to focus on the human face of the crisis. His audibly distraught voice was an appeal to the basic humanity of the people listening, a call for solidarity that defied the limitations of human compassion.

Red tapes

The enduring legacy of the Concert for Bangladesh 3
Mandatory Credit: Photo by Marty Lederhandler/AP/REX/Shutterstock (6596757a) Harrison Shankar Former Beatle George Harrison, left, is shown at a press conference at the Abkco Industries offices in New York.

Hosting the concert might have had its difficulties. But getting the nearly $243,000 it raised to the people it was intended for was a monster of a task in its own right.

Despite Harrison’s noble intentions, Pattie Boyd, his first wife, reported that Harrison believed that some of it “went walkabout”. “It was uncharted territory, the scale of it,” said Jonathan Clyde, of the Beatles’ Apple group in an interview with The Guardian in 2011. “The money did eventually reach Bangladesh, although perhaps not in time to help the refugees at that point. The big mistake was that Unicef wasn’t chosen beforehand, and so the IRS [the US tax service] took the view that because the charity wasn’t involved in the mounting of the concert, they’d take their cut. This distressed George hugely, it really angered him. There was an ongoing tussle for years, but I’m afraid even now the IRS still take their slice.” 

The legacy

The enduring legacy of the Concert for Bangladesh 4

But the legacy of the Concert for Bangladesh did not end there; rather, it expanded. The concert and subsequent album and film have since raked in millions for Unicef. It went on to fund projects not only in Bangladesh but in trouble spots from Angola to Romania, and even in the Horn of Africa. According to music journalist Mikal Gilmore, Harrison drew heavily from his experience from his entanglement with the IRS. He gave Bob Geldof “meticulous advice” to ensure that Live Aid’s estimated £50 million found its way, as intended, to victims of the Ethiopian famine.

The enduring legacy of the Concert for Bangladesh 5

Even more critical than the money that was raised from the concert, however, was the widespread support it garnered for the fledgeling nation of Bangladesh.

Suddenly, everyone was talking about a nation that had for so long been desperately seeking to break-through the near radio silence of the media.

Equally important, was how the endeavour redefined the role of the artist from one who was bound by a sacred contract with the audience to produce art that was good, to one who was expected to stand against injustice and use one’s voice to proclaim the unspoken truths of the world aloud.

In a year in which the press was rightfully decrying “the motives of the musicians and the level of the audiences, with each neo-Woodstock more avaricious than the last”, the Concert for Bangladesh, -was –to paraphrase the editors of Rolling Stone – through the sheer splendor of its music and the wholesomeness of its motive,proof that the spirit of music was well and alive.