Love, Death, and Robots: A more perfect anthology never existed

Only a few works can be compared to the new release of Netflix titled as Love, Death, and Robots. It was expected that a series produced by David Fincher and created by Tim Miller would be pretty good. But no one expected that it would be this amazing.

This anthology series has crossed boundaries among genres like Comedy, Animation, Fantasy, Horror, Science Fiction etc.

Love, Death, and Robots: A more perfect anthology never existed

If you are still wondering whether to try out this gift or not, then here is your spoiler-free review.

Different people seek different things in a series. Some, care for the story while some carefully scrutinize the animation. We’ll cover it from different angles.

Ratings

There are people who think the series quality is solely tied to its ratings. If you’re one of those people, then here are some of the fresh ratings for you.

IMDB: 9.1/10 –

There is a high chance that you might not take this rating seriously. This much distrust is legit I believe. So, let’s move onto the next rating.

Rotten Tomatoes: Average Tomatometer: 75% –

Although it is a bit early to rely on the Rotten Tomatoes ratings still 75% on the average Tomatometer is pretty decent. Moreover, 94% of the users have rated it over 3.5 out of 5.

Metacritic: 8.6/10 –

Based on 61 ratings Metacritic gave it an 8.6 out of 10. Only two critic reviews have landed till now. Of these two one is positive, and one is mixed.

Heaven of Horror: 4/5 –

Heaven of horror covers horror, thriller and sci-fi movies & TV shows. They are more like an expert in reviewing the creations of these genres. So, when they give it a 4/5, you should consider watching it.

Animation is outstanding

Each of the 18 shorts from this series has its signature animation style. While watching the first episode you will discover yourself watching gameplay. On the episode titled as Beyond the Aquila Rift it is easy to get confused. In fact, the super realistic animation of this episode will easily bewilder you.

Love, Death, and Robots: A more perfect anthology never existed

In one subreddit post, one animator cleared out the mystery behind this hyper-realistic animation. Everything on this episode is motion captured. All the body and facial motions were first captured form the actors and then transformed into CGI. In fact, the performers had to wear helmets and other gears that could capture their motions.

Besides this episode, there are other notable animations in other episodes. On the third episode, the animation is more like comics strips. Remember the animation from Into the Spiderverse? Well, here you will see something close to that. In other words, frame rates are manipulated to show speed in this episode.

Love, Death, and Robots: A more perfect anthology never existed

Like me, many people have agreed on the fact that the best animation of this season was on the episode ‘The Secret War’.

Moreover, there will be times when you won’t be able to differentiate between motion captured animation and VFX. Even the hand-drawn episodes are pretty stunning. In truth, no matter which episode you start watching, it is inevitable that you’ll be in for a surprise.

Story quality varies a bit

The creators have rounded up some great flash fictions. These stories have explored the sci-fi as well as supernatural genre. In some episodes, characters are well built in spite of the short duration. Even though the stories are sci-fi, you will be able to relate to the characters.

John Scalzi, Joe Lansdale, Ken Liu, Claudine Griggs, and Alastair Reynolds. These names belong to some of the most prominent writers all around the world. These writers were the source of some of the best episodes of this series.

John Scalzi is the former president of the Science Fiction and Fantasy Writers of America. Joe R. Lansdale has won the British Fantasy Award, Bram Stoker Award, and several other awards. Ken Liu has won in the World Fantasy Awards. Alastair Reynolds is a former space scientist who has now published over sixty short Sci-fi stories.

Love, Death, and Robots: A more perfect anthology never existed

The adapted screenplays from the flash fictions of these writers have generated something really ‘Cool’. Furthermore, many episodes have given tribute to other great movies and tv shows. With one episode you will find the resemblance of 127 Hours. Similarly, In one episode you’ll find easter eggs from Dr. Manhattan. Also, the name of Rear Window (1954) has come up in the discussions. Many have reviewed that this season is a mini version of Black Mirror, but we think this goes more with The Animatrix

In fact, the episodes are well organized throughout the season. If one episode gives you dread, the next one will lighten up the mood with absurd humor.

Ranking the best episodes

Just like any other Tv shows this too had great and average episodes. Here are our ratings for 5 of the best episodes out of 18 shorts.

  • Beyond the Aquila Rift – 9.7/10
  • Good Hunting – 9.4/10
  • The Witness – 9.3/10
  • The Secret War – 9.1/10
  • When the Yogurt Took Over – 9/10

Verdict

In short ‘Love, Death, and Robots’ is an out of the world experience, thanks to its awesome storyline and animation.

David Fincher and Tim Miller’s latest masterpiece easily gets 4/5 from us.

If you are still confused about watching it, please don’t be. Take a leap of faith and experience what both modern technology and creative mind have accomplished by working together.

How Cartoon Network has grown over the years

There’s no denying that Cartoon Network has been the cornerstone of our childhood. It was that one TV channel many of us couldn’t wait to watch.

The current generation might argue it’s just another entertainment channel for children. But for millennials, shows like Dexter’s Lab, Powerpuff Girls, Ed ,Edd n Eddy were an endless source of laughter and joy. It was like having a surrogate sibling. It helped us find common interests, nurture friendships, create bonds and bring out a smile after a really bad day.

But is today’s Cartoon Network the same one as we grew up with?

The days gone

When Cartoon Network debuted in 1992 it didn’t produce much original programming. Its early success came from classic Hanna-Barbera shows like Tom and Jerry, The Flinstones, The Looney Tunes, Scooby-Doo and others.

But once the network attracted mainstream attention, it started to produce its own original content. And each of these had its own distinct flavor.

Shows like Captain Planet and Space Ghost Coast to Coast were not only breakout hits for kids. They appealed to older audiences as well – teenagers and adults alike.

The success of these programs clarified that there was a market beyond the demographic CN were catering to.

The limelight : Early 2000s

At the height of its success in the late 90s to the early 2000s, Cartoon Network gained tremendous exposure. So much so that it became popular across the globe. More so than its rival networks of the time like Nickelodeon.

The Powerpuff Girls was one of the most popular shows on CN during early 2000s

The early 2000’s marked a change in style and tone of the network. In an effort to adapt to the growing demographic and changing tastes, Cartoon Network revamped its look. It introduced an edgier format with animated series like Samurai Jack, Megas XLR and Justice League being the most prominent.

The mature writing and “larger-than-life” storytelling in these show turned out to be a ratings boost for the network . Writers and animators drew inspiration from real-life events to express their creativity.

Mid 2000s and beyond

When 3-D animation started trending in the mid-2000s Cartoon Network also began producing content in the same visual style.

Star Wars: The Clone Wars was one of the major hits. Not just for Cartoon Network but also Lucas films. It revived interest for hardcore Star Wars fan and made the seemingly dying franchise relevant again in popular culture.

By the latter half of the 2010s decade Cartoon Network once again refreshed its look. This manifested with new bumpers, graphics, sounds and an overall vibrant presentation.

The new look reflected the change in demographic as Cartoon Network went back to basics. It started producing shows that were more kid-friendly in nature. There was reduced focus on mature themes found in previous programming.

Present day

Now flash-forward to 2018 and onward. Cartoon Network continues to keep its target audience entertained with a variety of content suitable for children.

The era that most of us grew up with is now a thing of the past. But the spirit and nostalgic memories of our childhood favorites can still be found in today’s cartoons. Although it might not evoke the same feelings for everyone.

It may feel like Cartoon Network has moved on from us to the next generation. But has Cartoon Network grown too fast for us or have we grown too fast to appreciate Cartoon Network?