Joker Review: Joaquin Phoenix gets the last laugh!

“My life isn’t a tragedy it’s a fucking comedy!”  – Arthur Fleck 

Love him or hate him, but Joaquin Phoenix is Gotham’s new Clown Prince of Crime!

Todd Phillip’s reimagining of the iconic comic book villain is a disturbing look into human psychology. One that will leave you feeling increasingly unsettled as the story unfolds.

Read more: How to destroy your cinematic universe

The Plot

Joker Review: Joaquin Phoenix gets the last laugh!

Set in 1981, the film follows Arthur Fleck, a mentally ill failed stand-up comedian who turns to a life of crime and chaos in Gotham City. 

Other characters who play a significant role in Arthur’s descent into madness are eccentric talk show host Murray Franklin (Robert De Niro), Penny Fleck (Frances Conroy) Arthur’s Mother who is both mentally and physically ill and Sophie Dumond (Zazie Beets) Arthur’s love interest.

Joker isn’t your typical action-packed popcorn flick. But a cinematic journey that gives us a chilling insight into the Joker’s origins while still paying homage to the Batman mythology.

A unique take on Joker

Joker Review: Joaquin Phoenix gets the last laugh!

While Heath Ledger’s Joker in the Christopher Nolan’s The Dark Knight was a representation of anarchy and social unrest, Phoenix’s interpretation of the role deals with themes of alienation, depression and personality identity and a character that audiences can sympathize with on a more realistic level.  

While we’ve generally come to understand the Joker from the Batman movies as a psychotic, mass-murdering criminal with complete disregard to human life, Phoenix adds another layer of depth to the character, revitalizing the Joker as a symbol of discrimination and a reflection of the daily oppression we struggle within society.   

The verdict

Joker Review: Joaquin Phoenix gets the last laugh!

The film itself is a refreshing break from the star-studded CGI superhero movies we’ve generally been accustomed to in recent years and DC has done justice by introducing a story that is entertaining but at the same time pragmatic and grounded. 

All things considered, Joker is not for the faint-hearted.

It’s a fascinating character biopic and a gripping tale on a character we’ve all known more or less since childhood. It doesn’t have the jaw-dropping moments of Infinity War or Justice League. But Joaquin Phoenix’s Oscar-worthy performance alone enough satisfies your appetite by keeping you at the edge of your seat from start to finish. 

Joker is now running in Star Cineplex and Blockbuster Cinemas.

How to destroy your cinematic universe

The concept of a shared cinematic universe where a series of movies would be connected with each other with its own individual plot and an overall arching story that would lead to big pay off in another movie down the line was created by Marvel Studios with the after credits of 2008’s Iron Man.

This paid dividends for the then fledgling and now the juggernaut in the Cinematic World.

With success comes a host of competitors that will try to give a shot at the successful idea.

However other than Marvel and in a much smaller capacity The Conjuring movie series, no one has been able to crack the code for a successful cinematic universe.

Whether due to sheer incompetence, greed, not understanding the strength and weakness of the properties and just not having a plan, there are a number of factors studios can cause for a studio’s cinematic universe to crash and burn even before it lifts off the ground.

Overestimating your strengths

Destroying your cinematic universe-HiFi Public

One of the fundamental reasons why a cinematic universe blows up is because most studios do not evaluate whether or not their properties, for example, can be adapted into a cinematic universe format.

The properties must have enough depth and characters that could be organically be stretched out into multiple movies without feeling forced. Marvel, DC and even Star Wars can pull this off because there are numerous stories written about those characters from many different writers in many formats, that the studios can simply pick and choose which one to go for.

For most studios they don’t have that luxury and instead of creating a traditional good first movie and then follow up with great sequels, they announce a cinematic universe with whatever IPs they have. The biggest example being the Universal Monster Dark Universe Cinematic Universe that was poorly thought out and it crashed and burn with only one movie in its slate. The 2017 reboot of The Mummy starring Tom Cruise.

Time will tell whether the planned WB Godzilla Kaiju Universe, Hasbro Transformers and their other toy line up universe will meet the same fate.

Not having a plan or direction

Destroying your cinematic universe-HiFi Public
Credit: SyFY Wire

One of the most baffling events that came out of the entertainment world is the DCEU or as it is now known Worlds of DC in general.

From hiring directors and them leaving midway through production, from Zack Snyder’s total control of it and then the Execs of WB taking control from him, from various movies being announced that no one asked for and then getting cancelled these developments clearly shows that WB never had a solid game plan for their cinematic universe and that indecision clearly shows in their movies as well.

With the exception of Wonder Woman, Aquaman and Shazam, all the Worlds of DC branded movies either underperformed in terms of critically and commercially or both and generally they are seen as inferior to the MCU.

Read more: Shazam is the new magic word for DCEU!

The planning and the logistic behind the MCU is something that most studios don’t take any heed to it. That is one of the core reason why cinematic universes crash and burn even without getting a chance to fully form because the studios expect to land on the moon first before properly figuring it out how to get out of earth’s orbit in the first place.

Pacing and patience

Destroying your cinematic universe-HiFi Public
Credit: USA Today

For the all the talk about the MCU success most fail to see the one crucial step they took that no one up to now did. They never announced from the get-go that the First Iron Man movie was gonna be the start of their cinematic universe. They focused on making a great movie that can stand on its own first and then gave the small teaser of their plans in the end credit scene.

Read more: A love letter to MCU from a fan with no ticket

This was done so that they can create goodwill at first with the general audience and then in the subsequent movies slowly start to reveal their master plan cumulating in the First Avengers Movie and now their phase four.

Compare this with DCEU BVS which was tasked the monumental task of Introducing Batman, Wonder Woman, Lex Luthor and the entire Justice League in one sitting and also other numerous Easter eggs that were supposed to lead into other movies.

Sadly what resulted is a bloated mess of a movie that didn’t have any direction and character motivations and some scenes were done purely to tease the other future movies which created a Frankenstein’s monster of a movie that lacks focus.

Not exploring alternate options

Destroying your cinematic universe-HiFi Public

This article already talked a great length about the MCU when it comes to cinematic universes, however, there is another name that can be added to that list, The Conjuring Universe.

Rather than making the mistakes above they simply went on a different direction than all of the rest of the Marvel Imitators. They simply made one good movie and then created a sequel and based on the audience reaction on the sequels secondary villains or tertiary characters they made spinoffs about it and slowly in a matter of years created a cinematic universe of their own.

While the Conjuring Universe cannot be compared to Marvel in terms of financial and critical and cultural significance, at least that cinematic universe is done right.

The Lesson that can be taken from the conjuring universe is that other than the previous lessons above is sometimes a cinematic universe from the onset is not a must. You can simply create a good movie, have goodwill and slowly from there through sequels or spin-offs or prequels organically have a cinematic universe.

Not every series of movies need to have all the characters team up, in the end, to fight a big bad in the ultimate team-up movie.

Marvel reveals its Phase four. Includes Loki, Blade and more!

MCU fans assemble! Earlier today at SDCC, Marvel Studios announced its phase four of films and tv shows. Phase four deals with the aftermath of Avengers: Endgame and several prequels that we surely are excited for. Some of these include the reprisal of fan favourite Blade and the possible reprisal of Fantastic Four and X-Men series.

Here are all the films and tv shows in chronological order as they will be coming out in phase four:

Black Widow (May 1st, 2020) 

Falcon and the Winter Soldier (Fall 2020)

The Eternals (November 6th, 2020)

Shang-Chi and the Legend of the Ten Rings (February 12, 2021)

WandaVision (Spring 2021)

Doctor Strange and the Multiverse of Madness (May 7th, 2021)

Loki (Spring 2021)

What If (Summer 2021)

Hawkeye (Fall 2021) and 

Thor: Love and Thunder (November 5th, 2021)

Phase four has some really interesting stories in the box for us. We will see the origin of Black Widow and Hawkeye and the movies will most likely explore their infamous Budapest mission that they keep mentioning!

We will see Anthony Mackey don his Captain America suit and shield in Falcon and the Winter Soldier.

Shang Chi will introduce the real Mandarin. (Yeah, we want to forget Iron Man 3 too)

Thor: Love and Thunder will give us Jane Foster wielding the Mjolnir as the female Thor.

And What If will be a non-canon animated series that will be an alternate take on the MCU universe. Like, what would happen if Loki had found Thor’s Hammer!

Speaking of Loki, we are getting a Loki TV show! Yay.

We eagerly look forward to Disney’s D23 conference next month for more information!

Spider-Man: Far From Home is a fun trip that lives up to expectations

The wall-crawling Avenger is back to close the phase 3 of MCU. This time the stakes are higher and some unanswered questions are addressed. This is a spoiler-free review, so keep reading.

Read more: A love letter to MCU from a fan with no ticket

Spider-man: Far from home takes place after the events of Avengers: Endgame where the Avengers re-snapped the universe. So fan expectations were unusually high. Does Peter Parker deservedly carry on the legacy of his mentor Tony Stark?

Far From Home, the sequel to Homecoming, easily bests its predecessor.

Homecoming ignored repetitive things like the death of uncle Ben, the hardship of Aunt May and the origin story of Peter Parker becoming a superhero.

However, Spider-man: Far From Home ups the ante and tries something that has never been done with this character. Peter is on the verge of becoming a responsible individual, only to be hindered by teenage angst and identity crisis. For the first time, a Spider-Man film did not take place entirely in New York.

Destination Europe

Spider-man: Far From Home is a fun trip that lives up to expectations

The world mourns the death of the fallen Avengers, but life goes on and Peter is prepping for a Euro trip with his school buddies. He wants to leave behind his spandex life and spend some quality time with MJ. Unbeknownst to him, aunt May packed his luggage with a suit (which will come in handy later in the film).

Peter plans to ask out MJ in Europe. The high schoolers visit Venice, Paris and other landmarks but the Euro trip goes haywire when a supervillain named the Elementals start destruction in Venice. Peter and his friends were just off a boat. He left his suit in the hotel room. with a pair of web shooters his utmost effort to stop the antagonist was not enough.

Spider-man: Far From Home is a fun trip that lives up to expectations

That’s when the fan-favourite Mysterio aka Quentin Beck arrives in the scene. He teams up with Peter but almost single-handedly stops the destruction. We see a glimpse of Mysterio in the opening scene of the film, where Nick Fury and Maria Hill acts as a witness.

Fury coerces a reluctant Peter to suit up and go to his secret lair. Peter finds out Quentin Beck is working with Fury to take down the Elementals. Quentin hints of a multiverse, claiming he came from Earth, just not the one Peter lives in. Throughout the movie, other versions of the Elementals make an appearance. These villains were loosely based on old Marvel characters like Hydro-Man and Molten Man, giving fans a scope to replenish some comic book memories.

To be honest, it is hard to write a no spoiler review of Far From Home, without telling enough about the plot. There’s deception, old enemies and loads of surprise to keep you on the edge of your seat. Peter inherits a pair of high tech glasses named Edith (courtesy of Tony Stark), capable of worldwide surveillance and destruction. Edith plays a central role in the movie, putting Peter on the forefront of enemies he must stop.

An entertaining thrill ride

John Watts returns in the director’s chair, and he does a good enough job to give Spider-Man the opportunity to shine as an Avenger when the world is at stake. The brilliant cast is the heart of the show, you will be occupied with laughter, emotional turmoil and gasping for more throughout the movie.

Spider-man: Far From Home is a fun trip that lives up to expectations

Tom Holland is impressive, but Jake Gyllenhaal’s first outing as Mysterio is something to die for. Samuel L Jackson is as charismatic as he was in the other MCU entries and seems like he’s not leaving the Marvel world anytime soon. Zendaya plays an unconventional MJ, putting a refreshing vibe on the character. Jacob Batalon’ Ned Leeds is the quintessential friend Peter needs by his side. He is super funny and provides some essential jokes to make the audience smile.

There are two post-credit scenes that might just be the best part of the movie.

Far From Home is the last MCU movie of 2019 and albeit an unmissable one.

Get your tickets from Star Cineplex to watch Spider-Man: Far From Home.

Thanos google search: Genius marketing?

The long-awaited conclusion to the Marvel Cinematic Universe is upon us. Avengers: Endgame is about to/has hit theatres, depending on where you’re living. It truly is the end of an era, as more than a decade of storytelling reaches its climax.

Avengers: Endgame is perhaps the single most important cinematic landmark in recent history. And it is great to see Marvel and Google throwing out some compact but fun details to lead up to the big deal.

Go to google and search Thanos. A small infinity gauntlet icon can be noticed beside the usual webpage.

Click on it, and the page randomly scrolls down to different weblinks and snappily(kek) eradicates them.

Small easter eggs like this go a long way for hyping the monumental occasion. Sure, trailers and teasers have their place and have honestly taken on a lot more importance than they used to due in no small part to Marvel.

But you can’t help but wonder if this is the future of marketing. Little things like these go to show the effort and enthusiasm those in charge have put into the project. It has its way of speaking to the fans, and like any conversation, the fans feel inclined to reply.

We have waited long for the culmination of the Avengers plotline. And the Thanos gauntlet trick shows that the people involved with the project are just as excited as we are. Now if only the figured out a way to eradicate the spoiler people.

Marvel’s Avengers Endgame launches in theatres on 26th April. We are sure you have gone through much to acquire tickets. So go earn your stay. And for those of you who haven’t gotten tickets yet, we feel you.

A love letter to MCU from a fan with no ticket

Dear MCU,

Hope this letter finds you in good spirit. I know you are too busy to respond, but I wanted to let you know what you mean to us.

The millennials needed a major pop culture boost. We were fatigued to drool over dated fandoms. We needed something of our own.

And we got one. The mighty Marvel Cinematic Universe.

Read more: “Thank you, Marvel” – a fan looks back on 10 years of the MCU

The Messiah

Before MCU, comic book adaptations on the silver screen were always dissed by the producers. We sure had some darling flicks at the turn of the century such as Sam Raimi’s Spiderman and the X-Men trilogy, but they were deemed as nothing but potboilers. One 20th Century Fox executive even went on to say the genre ends with X-Men: The Last Stand, there is no future for this kind of rubbish. But tables were meant to turn. With the release of Batman Begins in 2005, superhero movies got a wholly new facelift. Chris Nolan aptly destigmatized Batman movies. But something was missing. We were half expecting some messiah would step in to make some superhero flicks featuring our larger than life heroes.

Finally, the messiah came and conquered.

His name is Kevin Feige.

The mastermind behind the monumental success of MCU. He pitched the idea of an inter connected movie franchise spanning decades. The major reason DC could not win in the theaters on par with Marvel because they couldn’t hire someone like Feige.

The big bang

It all started with Iron Man in 2008. The very idea of post-credit scenes in superhero films was entwined in this movie, and I missed it the first time. Nick Fury sneaking inside Stark mansion to approach Tony for a superhero team-up? It felt surreal. Who could have thought the possibility of one behemoth superhero movie like the Avenger (2012)? Four separate franchises were following a pathway to culminate into one historical motion picture.

The summer Avengers was released, I didn’t go to the theatre to have cinematic experience of some sort. I was just so happy to see four of my poster heroes fighting as a team. But the movie made our jaws drop, eyes bulge and hairs on our back raise in respect. It is arguably (one of the) greatest comic book adaptation till this day and years to come. A big hug for director Joss Whedon. I felt sad when he had to deal critically with Disney execs over creative issues. The man wanted Spiderman and other characters to appear in Age of Ultron. Instead, he got Quicksilver and Scarlet Witch. Can we blame him for his exasperation to direct the highly anticipated sequel?

On the darker side

The MCU has its fair share of haters too. Loki is the only grade A villain in the whole universe. I am intentionally excluding Winter Soldier, he doesn’t really count as a foe, does he? Thanos should not be compared with other names whatsoever. So where does it put MCU in the radar?

Cool action movies on steroids with unimpressive baddies? Maybe.

The directors who have worked relentlessly for phase 1-3 deserve a round of applause. The Russo brothers deserve something more, like a gigantic bouquet the size of a hulkbuster suit.

The people who made it happen

MCU succeeded with flying colors. One key reason is the casting. The people who played their respective characters in the movies, were meant to play those parts. Can you imagine Tom Cruise as Tony Stark? He almost bagged the role of this fancy billionaire if former cocaine junkie Downey Jr didn’t show his relentless passion to make a comeback in Hollywood. He gets 50 million per movie now for playing Iron Man.

And last but not least, we want to gleefully remember the masters who drew and wrote about the characters and universe. You guys rock! Stan Lee was fateful to see his creations on the silver screen. I wish other artists were as lucky as Stan the man. Jack Kirby (and many more) creators never got the due money or respect they should have gotten.

Before I manage to survive the adrenaline rush Avengers: Endgame has to offer, this is my token of love for the movies I will re-watch for the rest of my life.

Read more: A roadmap to Endgame: Everything you need to know

Yours truly

A fan with no ticket

A roadmap to Endgame: Everything you need to know

With the hype of not only Marvel fans but also, DC fans, if you have decided to go for the cherry on top which is Avengers: Endgame then we understand your distress upon watching all the movies so far. However, we know how tricky it can get to decide to opt for something that ends the whole saga of Marvel Cinematic Universe series of different superheroes and their endless battles which leads up to the final movie.

If you cannot watch the 22 vastly articulated films which lead to Endgame itself, do not worry because we have a short road map which might help you catch up with the marathon!

Read more: “Thank you, Marvel” – a fan looks back on 10 years of the MCU

IRON MAN (2008)

The marathon essentially starts with 2008’s Ironman starring Robert Downey Jr. however, not all the details would help you catch with the drift, but it is the starting of something beautiful. We see Tony Stark embarking on a journey of protecting the civilization with this creation and invention of explosives and weapons for mass destruction. The presentation of the relationship of Tony Stark and Pepper Pots is just as important for us to notice, as it carries a significant importance to Ironman himself.

THOR (2011)

Get ready to be distracted by Chris Hemsworth’s luscious locks and hard abs because there is no actor better to play the role of thunder god, the mighty hero from Asgard. What is important for us to see is the role of Thor, his hammer and him ascending to Earth as it leads to multiple more parts as weel.

CAPTAIN AMERICA: THE FIRST AVENGER (2011)

This movie is not only known for a step towards the marathon but it also is very well known for its representation of the World War II and role of women through the relationship of Steve Rogers and Peggy Carter, one of the founding agents of SHIELD. In the movie we see a skinny soldier turned into a hero-like representation of America, thanks to the ‘super-serum solder’ administered by the U.S Government. Why this movie, gets more attention is because The First Avenger showed the very first Infinity Stone which is called “The Tesseract”.

MARVEL’S THE AVENGERS (2012)

If you skipped Thor and The Incredible Hulk, this movie will help you to catch up with the details before they team up to battle a “Tesseract wielding Loki”. The film also shows us the importance of various main heroes who were previously cameo characters such as the Black Widow and the Hawkeye himself. However, this movie shows the core team of Avengers and a glimpse of the famous ‘purple evil alien’ we all know as Thanos.

CAPTAIN AMERICA: THE WINTER SOLDIER (2014)

Captain America’s transition from a S.H.E.I.L.D vigilante to a well-known superhero is beautiful transformation. But what is worth noticing is Cap pledges allegiance to his friend to the government, ultimately tearing the Avengers apart.

GUARDIANS OF THE GALAXY (2014)

The MCU production now jumped from one planet to the other to bring us closer to Thanos himself. The movie represents Star Lord’s ability to hold an Infinity Stone as a part of his lineage. The Power Stone is kept for safekeeping in Xandar which is destroyed off-screen.

AVENGERS: AGE OF ULTRON (2015)

Marvel’s Avengers: Age Of Ultron..Ultron..Ph: Film Frame..©Marvel 2015

The movie which was hyped in Bangladesh not only for the Marvel fans, but also because it showed a scene of the Chittagong shipyard which quickly stirred more attention on social media. The movie might not be as entertaining as the first but it is important to see the creation of Vision by the power of the Mind Stone in Loki’s scepter. Here we also see one of the important characters known as Scarlet Witch.

CAPTAIN AMERICA: CIVIL WAR (2016)

Tony Stark and Steve Roger’s previous concerns come to a head because of Bucky and people’s unease with the group of superheroes destroying and creating chaos around the city to demolish problems they were responsible for. We also get to see introductions of Black Panther and Spiderman.

SPIDER-MAN: HOMECOMING (2017)

If you decide to skip the movie because of the bare minimum relation it has with Endgame, you could. However, one of the reasons why this movie is recommended is to see the relationship between Tony Stark and Peter Parker as both of them grow a beautiful bond which extends to one of the most emotional scenes in Avengers: Infinity War.

THOR: RAGNAROK (2017)

Now the story line of Thor might be repetitive leading to a cycle of losing and gaining power of thrones, but what this movie concentrates on, is how Loki gets his hands on Tesseract, the introduction of Doctor Strange and the destruction of Asgard which leads the refugees to run into Thanos.

BLACK PANTHER (2018)

One of the most anticipated movies last year was Black Panther itself as it was the leading movies in MCU to represent black empowerment so uniquely. The movie is the introduction of the superhero T’Challa and his community in Wakanda which we will also see in the movie Avengers: Infinity Stone.

AVENGERS: INFINITY WAR (2018)

If you haven’t watched all the movies, as a hardcore fan of MCU would, we assume that this movie might have stirred your interest with the yearlong memes and theories. Now, if you have not watched this movie, we strongly urge you to get a bowl of popcorn and sit through it all because both Infinity War and Endgame were shot and written simultaneously. We won’t spoil this much for you but it will spark a lot of questions in your mind, this we can guarantee.

ANT-MAN AND THE WASP (2018)

One of the many reasons why fans speculate this movie came after Infinity War was because he might play a major role in saving the world from Thanos. And the fans were not wrong. The post credit scenes of the movie take place after Thano’s snap and the consequences of Civil War. Do keep in mind that the Ant Man and its sequel plays an important role in the Endgame.

CAPTAIN MARVEL (2018)

Captain Marvel is initially known as Vers, a Star Force Agent from Kree race. She carries some powerful abilities such as super strength, physical endurance and the power to shoot blasts of energy with her fingertips. The Kree previously portrayed as villains before in Guardians of the Galaxy and Marvel’s Agents of S.H.I.E.L.D. With the strong 90s vibe and complex storyline Captain Marvel will not disappoint you.

The release of Avengers: Endgame is on the 26th of April and get ready to stand in the never-ending line and tackle the hyped fans for popcorn and drinks because this year will be the most awaited year, as the journey comes to an end. So, are you ready for it?

Marvel, Netflix and the future of streaming

If you subscribe to a video streaming service, it’s quite possible that you don’t have much to complain about regarding things to watch. Online video streaming services have firmly and quite rightfully put the nail in the coffin of cable TV service for a long time now. Having a lot of movies and TV shows on demand is quite appealing, it turns out. The cable model was too inefficient and expensive compared to streaming, and thus a mass exodus occurred which saw a millions of viewers switching to streaming services, completely disrupting the cable market. And now the streaming market is about to be disrupted as well. The irony is it’s doing it to itself.

Shutting down beloved shows

Marvel, Netflix and the future of streaming 1

It wasn’t too long ago that Luke Cage and Iron fist, both parts of Marvel’s extended TV universe, were pulled from Netflix. These cancellations could have been attributed to the shows’ quality, which didn’t exactly agree with everyone. But the shock came with the most recent cancellation of Marvel’s Daredevil, the oldest and inarguably the most popular of Marvel’s TV shows on Netflix. And that it occurred after a critically acclaimed third season added to the surprise. “Why is this happening?” is the question that haunts the viewer.

Well, a statistic from Jumpshot suggests despite the great quality of Daredevil’s third season, viewership for the show had gone down by almost a third compared to the earlier seasons. But thing is that viewership was still nothing to ignore. It would only get more popular because of how good it was. The real reason lies in a much larger issue. Disney, Marvel’s parent company, plans to launch its own streaming service, Disney+.

Disney pulling out

A direct competitor to Netflix?

Disney’s plans to launch their own streaming service constitute a multitude of problems. First of all, Disney+ will be a direct competitor to Netflix. This makes having one of Disney’s shows on their platform basically serves as an advertisement for a rival company. Moreover, Disney is adopting an aggressive approach to this service. They are gobbling up all the IPs it can get its hands on. It is unlikely that we’ll get to see these shows on their streaming service. Disney has made it quite clear that Disney+ will be a PG-13 rated family friendly product. No R-Rated movies or shows on it, those will be released by Hulu of which Disney currently owns 30%.

Too many services

Disney’s decision gives light to a bigger issue, the influx of streaming services. Netflix has always had solid competitors in Amazon Prime or Hulu, but now it’s about to have a lot more. Disney has already announced its plans. Then there’s NewTV by DreamWorks which plans to provide original 10-minute shows, DC Universe, the heavily rumored Apple TV. These along with existing services like Netflix, YouTube, Hulu, Amazon and HBO are about to flood the streaming service cyberspace and seriously confuse your wallet.  

The struggle for consumers

Statistics from PCMag.com

Now all this competition should sound like a win for the consumers. Yet, there are multiple reasons why this might be actually very bad. For a person with varied taste, this is actually the worst kind of news. The most recent struggle between Disney and Netflix indicates that the streaming service industry is becoming a zero-sum game. Relationships between distributors are already evidently getting worse and it will probably morph into a battle for distribution rights. Disney’s acquisition policy is just the tip of the iceberg of how studios are looking to acquire rights to distribute movies and TV shows exclusively. Every studio seems like it has tied down some product and it’s only available legally if you are subscribed to their streaming service. If you are a fan of both Star Wars and Narcos, you need to have both Disney+ and Netflix subscriptions to watch both.

Loss of variety

Netflix has attempted to produce originals for their subscribers that one couldn’t watch anywhere else. They’ve spent around $13 Billion in 2018 only on original content. And for a while, each competitor was producing original content that was great. But as the industry grew, virtually every premium channel has its own paid subscription app.

As competitors increase, the world of entertainment is becoming more partitioned.

There is no all-in-one solution anymore, not even a most-in-one solution. Of course, there are a lot more choices now, but each choice is becoming more decentralized.

This will only worsen in the future. Each competitor will attempt to launch its own unique variety of shows and movies. No entertainment entity will have a wide choice of entertainment in one place. There has already been an increase in piracy which can be partially attributed to this cause. There might be many more adverse effects we will observe as the golden age of streaming comes to an end.

Not good news for users

More competitors may sound like lower prices, but there’s a bare minimum. Below this amount companies aren’t willing to produce, so costs won’t be lowered too much; at least if Disney+ and the rumored Apple TV models are any indication. The future is still uncertain. For now, all we can do is give a nervous welcome to the Punisher and Jessica Jones series continuations as they reach their second and third seasons respectively; and bid a confused farewell to Daredevil, where the journey began and apparently has started to end.


Chris Hemsworth wraps up filming “DHAKA”, the film not filmed in Dhaka

Chris Hemsworth released photos and videos straight from the set of “Dhaka” on his Instagram account recently. The Australia-born star has apparently wrapped up filming his parts in the movie.

No, you probably will not run into Chris this week

To clarify, he was never in Dhaka, the city itself. The movie was filmed in Thailand and India. Those who ventured into Chris and the rest of the crew’s Instagram saw rickshaws and trucks with Bangla written on them. That was just part of a great set building.

An action thriller

In “Dhaka”, Hemsworth plays a mercenary called Tyler Rake. His character is hired by an Indian businessman to retrieve said businessman’s kidnapped son, who is held in Dhaka, the capital of Bangladesh in the action thriller. Hemsworth’s character is described as a physically competent man of vulnerable emotional state. And Hemsworth isn’t the only familiar face from the Marvel Cinematic Universe franchise in the movie. Sam Hargrave makes his feature directorial debut with this film. For those unaware, Hargrave is MCU character Captain America’s stunt double. Stranger things star David Harbour is also one of the supporting casts in the movie.

The “Marvel” factor?

The Russo brothers, directors of several MCU movies including Captain America: Winter Soldier and Avengers: Infinity war, are producing “Dhaka” through their independent production house. Although Hemsworth’s parts in the movie have been wrapped up, the production is expected to continue at least until March.  We don’t have a concrete release date as of right now. So we’ll just have to wait and see how a depiction of our capital city pans out in a Hollywood film.

If you think about it, Dhaka is a character in the film too, since it’s being portrayed by some other, flashier, perhaps better looking city.

Black Panther makes history with best picture oscar nomination

Black Panther made history as the first superhero film to be nominated for Best Picture at the Academy Awards. The closest film that came before was the Dark Knight, and many critics were vocal about the snub. Many believe that the subsequent expansion of the Best Picture category to ten nominations was a reaction to this controversy.

Black Panther has also been nominated for six other categories, such as Best Costume Design, Best Sound Mixing, Best Original Score, Best Original Song and Best Production Design.

“The only way we ever wanted to do this project was the right way and that meant finding a filmmaker who had something personal to say, who had a vision and could take this character into another arena and showcase the power of representation on a canvas of this size,”

Said Kevin Feige, president of Marvel Studios. 

“We’re very, very proud of what this film has done. The movie has made a cultural impact that is just humbling and gratifying to see. And we’re very grateful to the Academy for this recognition.”

Of course, Black Panther has some tough competition, sharing its nomination with Roma, Vice, The Favourite, Bohemian Rhapsody, BlacKkKlansman, Green Book and A Star is Born.

Directed by Ryan Coogler, Black Panther is notable for its cast and strong message. The film grossed $1.34 billion worldwide last year.