I think we can all agree that comic book movies in recent years have left a massive influence in pop culture. The excitement and buzz whenever a trailer of an adaptation starts trending on social media is an emphatic feeling that we all share to a certain extent.
Regardless of how the superhero genre has evolved over the years, when it comes to delivering sheer, blockbuster entertainment on the big screen nobody does it better than DC and Marvel.
But that also raises the question as to who has the edge when it comes to their respective media franchise?
While Marvel Studios is known for their decade-long cinematic universe interconnected with a cohesive storyline, their rival DC Films attained their success by releasing stand-alone adaptations that left their own legacies. The Dark Knight Trilogy, Watchmen and Superman being a few notable examples.
Establishing a cinematic universe takes time, patience and thoughtful planning, something which Marvel figured out early on.
The swift introduction of the Justice League via e-mail in Batman v Superman: Dawn of Justice indicated that DC wasn’t willing to go that way.
Unlike Marvel’s Avengers where the heroes crossed paths after going through phases of character development in their respective solo films.
In all fairness, although DC did make an attempt to flesh out their characters by giving them a backstory to grow like in 2013’s Man of Steel, they were still struggling to find a consistent tone in subsequent DCEU instalments. Only exemplified by the commercial and critical failure of Suicide Squad – A movie that was disappointing on so many levels that even Oscar winner Jared Leto couldn’t salvage with his brief appearance.
Individuality: DC’s stronghold
However not everything is doom and gloom as it looks. The enormous success of solo films such as Wonder Woman,Aquaman and Shazam! prove that there’s still much anticipation and promise in the DC Extended Universe. It could even be a sign encouraging DC to go back to playing to their strengths. Which is, crafting individual stories with a strong focus on character development and exploration of intimate themes.
DC’s latest project this year is the highly anticipated Joker starring the versatile Joaquin Phoenix. The film could be seen as a turning point for the company as it’s intended to launch DC Black, a line of DC-based comic book films separate from the DCEU with darker and more experimental material.
In hindsight, DC is at their creative best when they stick to their roots instead of taking notes from its rivals. Although the future of the DCEU is uncertain Todd Phillip’s Joker and Joaquin Phoenix’s interpretation of the iconic role could be the “revival” DC has been looking for.
The concept of a shared cinematic universe where a series of movies would be connected with each other with its own individual plot and an overall arching story that would lead to big pay off in another movie down the line was created by Marvel Studios with the after credits of 2008’s Iron Man.
This paid dividends for the then fledgling and now the juggernaut in the Cinematic World.
With success comes a host of competitors that will try to give a shot at the successful idea.
However other than Marvel and in a much smaller capacity The Conjuring movie series, no one has been able to crack the code for a successful cinematic universe.
Whether due to sheer incompetence, greed, not understanding the strength and weakness of the properties and just not having a plan, there are a number of factors studios can cause for a studio’s cinematic universe to crash and burn even before it lifts off the ground.
Overestimating your strengths
One of the fundamental reasons why a cinematic universe blows up is because most studios do not evaluate whether or not their properties, for example, can be adapted into a cinematic universe format.
The properties must have enough depth and characters that could be organically be stretched out into multiple movies without feeling forced. Marvel, DC and even Star Wars can pull this off because there are numerous stories written about those characters from many different writers in many formats, that the studios can simply pick and choose which one to go for.
For most studios they don’t have that luxury and instead of creating a traditional good first movie and then follow up with great sequels, they announce a cinematic universe with whatever IPs they have. The biggest example being the Universal Monster Dark Universe Cinematic Universe that was poorly thought out and it crashed and burn with only one movie in its slate. The 2017 reboot of The Mummy starring Tom Cruise.
Time will tell whether the planned WB Godzilla Kaiju Universe, Hasbro Transformers and their other toy line up universe will meet the same fate.
Not having a plan or direction
One of the most baffling events that came out of the entertainment world is the DCEU or as it is now known Worlds of DC in general.
From hiring directors and them leaving midway through production, from Zack Snyder’s total control of it and then the Execs of WB taking control from him, from various movies being announced that no one asked for and then getting cancelled these developments clearly shows that WB never had a solid game plan for their cinematic universe and that indecision clearly shows in their movies as well.
With the exception of Wonder Woman, Aquaman and Shazam, all the Worlds of DC branded movies either underperformed in terms of critically and commercially or both and generally they are seen as inferior to the MCU.
The planning and the logistic behind the MCU is something that most studios don’t take any heed to it. That is one of the core reason why cinematic universes crash and burn even without getting a chance to fully form because the studios expect to land on the moon first before properly figuring it out how to get out of earth’s orbit in the first place.
Pacing and patience
For the all the talk about the MCU success most fail to see the one crucial step they took that no one up to now did. They never announced from the get-go that the First Iron Man movie was gonna be the start of their cinematic universe. They focused on making a great movie that can stand on its own first and then gave the small teaser of their plans in the end credit scene.
This was done so that they can create goodwill at first with the general audience and then in the subsequent movies slowly start to reveal their master plan cumulating in the First Avengers Movie and now their phase four.
Compare this with DCEU BVS which was tasked the monumental task of Introducing Batman, Wonder Woman, Lex Luthor and the entire Justice League in one sitting and also other numerous Easter eggs that were supposed to lead into other movies.
Sadly what resulted is a bloated mess of a movie that didn’t have any direction and character motivations and some scenes were done purely to tease the other future movies which created a Frankenstein’s monster of a movie that lacks focus.
Not exploring alternate options
This article already talked a great length about the MCU when it comes to cinematic universes, however, there is another name that can be added to that list, The Conjuring Universe.
Rather than making the mistakes above they simply went on a different direction than all of the rest of the Marvel Imitators. They simply made one good movie and then created a sequel and based on the audience reaction on the sequels secondary villains or tertiary characters they made spinoffs about it and slowly in a matter of years created a cinematic universe of their own.
While the Conjuring Universe cannot be compared to Marvel in terms of financial and critical and cultural significance, at least that cinematic universe is done right.
The Lesson that can be taken from the conjuring universe is that other than the previous lessons above is sometimes a cinematic universe from the onset is not a must. You can simply create a good movie, have goodwill and slowly from there through sequels or spin-offs or prequels organically have a cinematic universe.
Not every series of movies need to have all the characters team up, in the end, to fight a big bad in the ultimate team-up movie.
MCU fans assemble! Earlier today at SDCC, Marvel Studios announced its phase four of films and tv shows. Phase four deals with the aftermath of Avengers: Endgame and several prequels that we surely are excited for. Some of these include the reprisal of fan favourite Blade and the possible reprisal of Fantastic Four and X-Men series.
Here are all the films and tv shows in chronological order as they will be coming out in phase four:
Black Widow (May 1st, 2020)
Falcon and the Winter Soldier (Fall 2020)
The Eternals (November 6th, 2020)
Shang-Chi and the Legend of the Ten Rings (February 12, 2021)
WandaVision (Spring 2021)
Doctor Strange and the Multiverse of Madness (May 7th, 2021)
Loki (Spring 2021)
What If (Summer 2021)
Hawkeye (Fall 2021) and
Thor: Love and Thunder (November 5th, 2021)
Phase four has some really interesting stories in the box for us. We will see the origin of Black Widow and Hawkeye and the movies will most likely explore their infamous Budapest mission that they keep mentioning!
We will see Anthony Mackey don his Captain America suit and shield in Falcon and the Winter Soldier.
Shang Chi will introduce the real Mandarin. (Yeah, we want to forget Iron Man 3 too)
Thor: Love and Thunder will give us Jane Foster wielding the Mjolnir as the female Thor.
And What If will be a non-canon animated series that will be an alternate take on the MCU universe. Like, what would happen if Loki had found Thor’s Hammer!
Speaking of Loki, we are getting a Loki TV show! Yay.
We eagerly look forward to Disney’s D23 conference next month
for more information!
Spider-man: Far from home takes place after the events of Avengers: Endgame where the Avengers re-snapped the universe. So fan expectations were unusually high. Does Peter Parker deservedly carry on the legacy of his mentor Tony Stark?
Far From Home, the sequel to Homecoming, easily bests its predecessor.
Homecoming ignored repetitive things like the death of uncle Ben, the hardship of Aunt May and the origin story of Peter Parker becoming a superhero.
However, Spider-man: Far From Home ups the ante and tries something that has never been done with this character. Peter is on the verge of becoming a responsible individual, only to be hindered by teenage angst and identity crisis. For the first time, a Spider-Man film did not take place entirely in New York.
The world mourns the death of the fallen Avengers, but life goes on and Peter is prepping for a Euro trip with his school buddies. He wants to leave behind his spandex life and spend some quality time with MJ. Unbeknownst to him, aunt May packed his luggage with a suit (which will come in handy later in the film).
Peter plans to ask out MJ in Europe. The high schoolers visit Venice, Paris and other landmarks but the Euro trip goes haywire when a supervillain named the Elementals start destruction in Venice. Peter and his friends were just off a boat. He left his suit in the hotel room. with a pair of web shooters his utmost effort to stop the antagonist was not enough.
That’s when the fan-favourite Mysterio aka Quentin Beck arrives in the scene. He teams up with Peter but almost single-handedly stops the destruction. We see a glimpse of Mysterio in the opening scene of the film, where Nick Fury and Maria Hill acts as a witness.
Fury coerces a reluctant Peter to suit up and go to his secret lair. Peter finds out Quentin Beck is working with Fury to take down the Elementals. Quentin hints of a multiverse, claiming he came from Earth, just not the one Peter lives in. Throughout the movie, other versions of the Elementals make an appearance. These villains were loosely based on old Marvel characters like Hydro-Man and Molten Man, giving fans a scope to replenish some comic book memories.
To be honest, it is hard to write a no spoiler review of Far From Home, without telling enough about the plot. There’s deception, old enemies and loads of surprise to keep you on the edge of your seat. Peter inherits a pair of high tech glasses named Edith (courtesy of Tony Stark), capable of worldwide surveillance and destruction. Edith plays a central role in the movie, putting Peter on the forefront of enemies he must stop.
An entertaining thrill ride
John Watts returns in the director’s chair, and he does a good enough job to give Spider-Man the opportunity to shine as an Avenger when the world is at stake. The brilliant cast is the heart of the show, you will be occupied with laughter, emotional turmoil and gasping for more throughout the movie.
Tom Holland is impressive, but Jake Gyllenhaal’s first outing as Mysterio is something to die for. Samuel L Jackson is as charismatic as he was in the other MCU entries and seems like he’s not leaving the Marvel world anytime soon. Zendaya plays an unconventional MJ, putting a refreshing vibe on the character. Jacob Batalon’ Ned Leeds is the quintessential friend Peter needs by his side. He is super funny and provides some essential jokes to make the audience smile.
There are two post-credit scenes that might just be the best part of the movie.
Far From Home is the last MCU movie of 2019 and albeit an unmissable one.
Get your tickets from Star Cineplex to watch Spider-Man: Far From Home.
Before MCU, comic book adaptations on the silver screen were always dissed by the producers. We sure had some darling flicks at the turn of the century such as Sam Raimi’s Spiderman and the X-Men trilogy, but they were deemed as nothing but potboilers. One 20th Century Fox executive even went on to say the genre ends with X-Men: The Last Stand, there is no future for this kind of rubbish. But tables were meant to turn. With the release of Batman Begins in 2005, superhero movies got a wholly new facelift. Chris Nolan aptly destigmatized Batman movies. But something was missing. We were half expecting some messiah would step in to make some superhero flicks featuring our larger than life heroes.
Finally, the messiah came and conquered.
His name is Kevin Feige.
The mastermind behind the monumental success of MCU. He pitched the idea of an inter connected movie franchise spanning decades. The major reason DC could not win in the theaters on par with Marvel because they couldn’t hire someone like Feige.
The big bang
It all started with Iron Man in 2008. The very idea of post-credit scenes in superhero films was entwined in this movie, and I missed it the first time. Nick Fury sneaking inside Stark mansion to approach Tony for a superhero team-up? It felt surreal. Who could have thought the possibility of one behemoth superhero movie like the Avenger (2012)? Four separate franchises were following a pathway to culminate into one historical motion picture.
The summer Avengers was released, I didn’t go to the theatre to have cinematic experience of some sort. I was just so happy to see four of my poster heroes fighting as a team. But the movie made our jaws drop, eyes bulge and hairs on our back raise in respect. It is arguably (one of the) greatest comic book adaptation till this day and years to come. A big hug for director Joss Whedon. I felt sad when he had to deal critically with Disney execs over creative issues. The man wanted Spiderman and other characters to appear in Age of Ultron. Instead, he got Quicksilver and Scarlet Witch. Can we blame him for his exasperation to direct the highly anticipated sequel?
On the darker side
The MCU has its fair share of haters too. Loki is the only grade A villain in the whole universe. I am intentionally excluding Winter Soldier, he doesn’t really count as a foe, does he? Thanos should not be compared with other names whatsoever. So where does it put MCU in the radar?
Cool action movies on steroids with unimpressive baddies? Maybe.
The directors who have worked relentlessly for phase 1-3 deserve a round of applause. The Russo brothers deserve something more, like a gigantic bouquet the size of a hulkbuster suit.
The people who made it happen
MCU succeeded with flying colors. One key reason is the casting. The people who played their respective characters in the movies, were meant to play those parts. Can you imagine Tom Cruise as Tony Stark? He almost bagged the role of this fancy billionaire if former cocaine junkie Downey Jr didn’t show his relentless passion to make a comeback in Hollywood. He gets 50 million per movie now for playing Iron Man.
And last but not least, we want to gleefully remember the masters who drew and wrote about the characters and universe. You guys rock! Stan Lee was fateful to see his creations on the silver screen. I wish other artists were as lucky as Stan the man. Jack Kirby (and many more) creators never got the due money or respect they should have gotten.
Before I manage to survive the adrenaline rush Avengers: Endgame has to offer, this is my token of love for the movies I will re-watch for the rest of my life.
With the hype of not only Marvel fans but also, DC fans, if you have decided to go for the cherry on top which is Avengers: Endgame then we understand your distress upon watching all the movies so far. However, we know how tricky it can get to decide to opt for something that ends the whole saga of Marvel Cinematic Universe series of different superheroes and their endless battles which leads up to the final movie.
If you cannot watch the 22 vastly articulated films which lead to Endgame itself, do not worry because we have a short road map which might help you catch up with the marathon!
The marathon essentially starts
with 2008’s Ironman starring Robert
Downey Jr. however, not all the details would help you catch with the drift,
but it is the starting of something beautiful. We see Tony Stark embarking on a
journey of protecting the civilization with this creation and invention of explosives
and weapons for mass destruction. The presentation of the relationship of Tony
Stark and Pepper Pots is just as important for us to notice, as it carries a
significant importance to Ironman himself.
Get ready to be distracted by
Chris Hemsworth’s luscious locks and hard abs because there is no actor better
to play the role of thunder god, the mighty hero from Asgard. What is important
for us to see is the role of Thor, his hammer and him ascending to Earth as it
leads to multiple more parts as weel.
CAPTAIN AMERICA: THE FIRST AVENGER (2011)
This movie is not only known for
a step towards the marathon but it also is very well known for its representation
of the World War II and role of women through the relationship of Steve Rogers
and Peggy Carter, one of the founding agents of SHIELD. In the movie we see a
skinny soldier turned into a hero-like representation of America, thanks to the
‘super-serum solder’ administered by the U.S Government. Why this movie, gets
more attention is because The First Avenger showed the very first Infinity
Stone which is called “The Tesseract”.
MARVEL’S THE AVENGERS (2012)
If you skipped Thor and The Incredible Hulk, this movie will help you to catch up with the
details before they team up to battle a “Tesseract wielding Loki”. The film
also shows us the importance of various main heroes who were previously cameo
characters such as the Black Widow and the Hawkeye himself. However, this movie
shows the core team of Avengers and a glimpse of the famous ‘purple evil alien’
we all know as Thanos.
CAPTAIN AMERICA: THE WINTER SOLDIER (2014)
Captain America’s transition from a S.H.E.I.L.D vigilante to a well-known superhero is beautiful transformation. But what is worth noticing is Cap pledges allegiance to his friend to the government, ultimately tearing the Avengers apart.
GUARDIANS OF THE GALAXY (2014)
The MCU production now jumped
from one planet to the other to bring us closer to Thanos himself. The movie
represents Star Lord’s ability to hold an Infinity Stone as a part of his
lineage. The Power Stone is kept for safekeeping in Xandar which is destroyed off-screen.
AVENGERS: AGE OF ULTRON (2015)
The movie which was hyped in Bangladesh not only for the Marvel fans, but also because it showed a scene of the Chittagong shipyard which quickly stirred more attention on social media. The movie might not be as entertaining as the first but it is important to see the creation of Vision by the power of the Mind Stone in Loki’s scepter. Here we also see one of the important characters known as Scarlet Witch.
CAPTAIN AMERICA: CIVIL WAR (2016)
Tony Stark and Steve Roger’s previous
concerns come to a head because of Bucky and people’s unease with the group of
superheroes destroying and creating chaos around the city to demolish problems
they were responsible for. We also get to see introductions of Black Panther
SPIDER-MAN: HOMECOMING (2017)
If you decide to skip the movie because of the bare minimum relation it has with Endgame, you could. However, one of the reasons why this movie is recommended is to see the relationship between Tony Stark and Peter Parker as both of them grow a beautiful bond which extends to one of the most emotional scenes in Avengers: Infinity War.
THOR: RAGNAROK (2017)
Now the story line of Thor might be repetitive leading to a cycle of losing and gaining power of thrones, but what this movie concentrates on, is how Loki gets his hands on Tesseract, the introduction of Doctor Strange and the destruction of Asgard which leads the refugees to run into Thanos.
BLACK PANTHER (2018)
One of the most anticipated
movies last year was Black Panther itself as it was the leading movies in MCU
to represent black empowerment so uniquely. The movie is the introduction of
the superhero T’Challa and his community in Wakanda which we will also see in
the movie Avengers: Infinity Stone.
AVENGERS: INFINITY WAR (2018)
If you haven’t watched all the
movies, as a hardcore fan of MCU would, we assume that this movie might have
stirred your interest with the yearlong memes and theories. Now, if you have
not watched this movie, we strongly urge you to get a bowl of popcorn and sit
through it all because both Infinity War
and Endgame were shot and written simultaneously.
We won’t spoil this much for you but it will spark a lot of questions in your mind,
this we can guarantee.
ANT-MAN AND THE WASP (2018)
One of the many reasons why fans speculate this movie came after Infinity War was because he might play a major role in saving the world from Thanos. And the fans were not wrong. The post credit scenes of the movie take place after Thano’s snap and the consequences of Civil War. Do keep in mind that the Ant Man and its sequel plays an important role in the Endgame.
CAPTAIN MARVEL (2018)
Captain Marvel is initially known as Vers, a Star Force Agent from Kree race. She carries some powerful abilities such as super strength, physical endurance and the power to shoot blasts of energy with her fingertips. The Kree previously portrayed as villains before in Guardians of the Galaxy and Marvel’s Agents of S.H.I.E.L.D. With the strong 90s vibe and complex storyline Captain Marvel will not disappoint you.
The release of Avengers: Endgameis on the 26th of April and get ready to stand in the never-ending line and tackle the hyped fans for popcorn and drinks because this year will be the most awaited year, as the journey comes to an end. So, are you ready for it?
If you subscribe to a video streaming service, it’s quite possible that you don’t have much to complain about regarding things to watch. Online video streaming services have firmly and quite rightfully put the nail in the coffin of cable TV service for a long time now. Having a lot of movies and TV shows on demand is quite appealing, it turns out. The cable model was too inefficient and expensive compared to streaming, and thus a mass exodus occurred which saw a millions of viewers switching to streaming services, completely disrupting the cable market. And now the streaming market is about to be disrupted as well. The irony is it’s doing it to itself.
Shutting down beloved shows
It wasn’t too long ago that Luke Cage and Iron fist, both parts of Marvel’s extended TV universe, were pulled from Netflix. These cancellations could have been attributed to the shows’ quality, which didn’t exactly agree with everyone. But the shock came with the most recent cancellation of Marvel’s Daredevil, the oldest and inarguably the most popular of Marvel’s TV shows on Netflix. And that it occurred after a critically acclaimed third season added to the surprise. “Why is this happening?” is the question that haunts the viewer.
Well, a statistic from Jumpshot suggests despite the great quality of Daredevil’s third season, viewership for the show had gone down by almost a third compared to the earlier seasons. But thing is that viewership was still nothing to ignore. It would only get more popular because of how good it was. The real reason lies in a much larger issue. Disney, Marvel’s parent company, plans to launch its own streaming service, Disney+.
Disney pulling out
Disney’s plans to launch their own streaming service constitute a multitude of problems. First of all, Disney+ will be a direct competitor to Netflix. This makes having one of Disney’s shows on their platform basically serves as an advertisement for a rival company. Moreover, Disney is adopting an aggressive approach to this service. They are gobbling up all the IPs it can get its hands on. It is unlikely that we’ll get to see these shows on their streaming service. Disney has made it quite clear that Disney+ will be a PG-13 rated family friendly product. No R-Rated movies or shows on it, those will be released by Hulu of which Disney currently owns 30%.
Too many services
Disney’s decision gives light to a bigger issue, the influx of streaming services. Netflix has always had solid competitors in Amazon Prime or Hulu, but now it’s about to have a lot more. Disney has already announced its plans. Then there’s NewTV by DreamWorks which plans to provide original 10-minute shows, DC Universe, the heavily rumored Apple TV. These along with existing services like Netflix, YouTube, Hulu, Amazon and HBO are about to flood the streaming service cyberspace and seriously confuse your wallet.
The struggle for consumers
Now all this competition should sound like a win for the consumers. Yet, there are multiple reasons why this might be actually very bad. For a person with varied taste, this is actually the worst kind of news. The most recent struggle between Disney and Netflix indicates that the streaming service industry is becoming a zero-sum game. Relationships between distributors are already evidently getting worse and it will probably morph into a battle for distribution rights. Disney’s acquisition policy is just the tip of the iceberg of how studios are looking to acquire rights to distribute movies and TV shows exclusively. Every studio seems like it has tied down some product and it’s only available legally if you are subscribed to their streaming service. If you are a fan of both Star Wars and Narcos, you need to have both Disney+ and Netflix subscriptions to watch both.
Loss of variety
Netflix has attempted to produce originals for their subscribers that one couldn’t watch anywhere else. They’ve spent around $13 Billion in 2018 only on original content. And for a while, each competitor was producing original content that was great. But as the industry grew, virtually every premium channel has its own paid subscription app.
As competitors increase, the world of entertainment is becoming more partitioned.
There is no all-in-one solution anymore, not even a most-in-one solution. Of course, there are a lot more choices now, but each choice is becoming more decentralized.
This will only worsen in the future. Each competitor will attempt to launch its own unique variety of shows and movies. No entertainment entity will have a wide choice of entertainment in one place. There has already been an increase in piracy which can be partially attributed to this cause. There might be many more adverse effects we will observe as the golden age of streaming comes to an end.
Not good news for users
More competitors may sound like lower prices, but there’s a bare minimum. Below this amount companies aren’t willing to produce, so costs won’t be lowered too much; at least if Disney+ and the rumored Apple TV models are any indication. The future is still uncertain. For now, all we can do is give a nervous welcome to the Punisher and Jessica Jones series continuations as they reach their second and third seasons respectively; and bid a confused farewell to Daredevil, where the journey began and apparently has started to end.
Black Panther has also been nominated for six other categories, such as Best Costume Design, Best Sound Mixing, Best Original Score, Best Original Song and Best Production Design.
“The only way we ever wanted to do this project was the right way and that meant finding a filmmaker who had something personal to say, who had a vision and could take this character into another arena and showcase the power of representation on a canvas of this size,”
Said Kevin Feige, president of Marvel Studios.
“We’re very, very proud of what this film has done. The movie has made a cultural impact that is just humbling and gratifying to see. And we’re very grateful to the Academy for this recognition.”
In a world inundated with superhero films, it’s difficult for a new contender to make its mark. Especially so if it’s a Spider-Man film following six predecessors. There’s something different about Spider-Man: Into the Spider-Verse, however, that makes it stand out from the pack. Part of it is the unique animation style, but it’s also the fact that it’s a fresh take on a familiar hero.
An enjoyable storyline
The story focuses on Miles Morales, a biracial kid who receives powers similar to Peter Parker’s and struggles to follow his legacy. On the way, he is assisted by an older Peter Parker who has fallen down on his luck, along with a cast of other Spider People.
The interplay between the different heroes is a joy to watch, and Miles is fleshed out well enough with an appropriate focus on his family and life. The heroes are opposed by Kingpin, who is a menacing and hulking brute trying to reunite with his family. The themes of a family are resonant in this film, as are loss and responsibility.
The true star, however, is perhaps the outstanding visual style, which has plenty of comic book elements such as dialogue boxes and sound effects. It’s a refreshingly unique style that stands out in today’s crop of animated movies, and here’s to hoping it pops up more in future films of this calibre. The city is gorgeously realized, and the action is vibrant and fun.
On the character side of things, the mentor-student relationship between Peter and Miles is nicely handled. Peter’s laid-back nature contrasts nicely with Miles’ more earnest personality. Spider Gwen and Spider-Ham also stand out from the cast, as does Spider-Man Noir, thanks to a delightful turn by Nicolas Cage.
The movie is not without its problems. For instance, it could have fleshed out its antagonist more, although it does feature a new twist on Doctor Octopus. Nevertheless, writers Phil Lord and Rodney Rothman have crafted a fine addition to the Spider-Man mythos. There is news of a follow-up to Into the Spider-Verse, and if it’s as good as this one, then that’s certainly something to look forward to in the future.
Marvelites are having a pretty great week. A great Captain Marvel trailer dropped on Monday. Let me tell you, she looked mighty fine. Nintendo announced the return of the long-dormant Ultimate Alliance game franchise at The Game Awards on Thursday. A new Spider-Man: Far From Home trailer is supposed to arrive very soon. And as if to slap a whole cake on top of a cherry, the Russo brothers practically shadow dropped the new Avengers: Endgame trailer on Friday. The trailer reveals very little. But when has that stopped us from going through these a dozen times and look for clues? Let’s jump in.
Marvel MVP Tony Stark isn’t off to a good start here. He is marooned aboard the Benatar, the Guardians ship. With food and Oxygen rapidly running out, earth’s greatest defender is desolate and helpless. We see him turning his helmet on to record a farewell message to Pepper Potts. The lighting is somber because who can bid a sad goodbye in harsh fluorescence? Him mentioning the end being part of the journey is sure to tug some heartstrings. He is also wearing a similar shirt from the first Iron Man when he was imprisoned by the Ten Rings. A great visual callback to his initial plight in a no-win scenario.
Tony’s rescue is a hotly contested topic. We can only but speculate. Does Pepper Potts don the Rescue armor from the comics herself and go after her man? Will Captain Marvel pick him up during her return journey to earth following Fury’s SOS? Does Thor open a Bifrost with his Stormbreaker weapon and save him? Alas, we might have to wait till April for the answer. Or at least until the next trailer.
But what is Nebula’s story?
We also see Nebula hanging about the ship reminiscing and being all sad. There’s another very curious frame in the trailer where she gently caresses someone’s shoulder sitting in the ship. That is very out of character for her. Is she saying goodbye to Tony before leaving the Benatar? Or that is a completely different character at another point in the movie? Marvel has been really deceptive about these in the past. So rule nothing out.
Point Break is pissed
Thor Odinson proved last April that he is the mightiest of the Avengers. Maybe that is why it pains him the most that he could not stop the Decimation. Yes, that is what the head honchos at MCU decided to call the Thanos Snap. This revelation arrives thanks to Marvel’s Avengers: Infinity War: The Cosmic Quest Volume Two: Aftermath by Brandon T. Snider. Man, the name of this book needed a Snap as well to cut it down to half.
Anyways, back to Thor. Just look at him. This man right here is ready to get out on that stage and shred Thanos in a rap battle.
The only character who is happily content in the trailer is Thanos. And why wouldn’t he be? He brought balance to the universe, in his own twisted way. Moreiver, as a great comic throwback, we see his armor strung like a scarecrow. He doesn’t need that anymore, because his job is done. In the comics though, Thanos is retreating in disgrace more than gloating over a hard-won victory. But a nice touch nonetheless.
Is Shuri alive?
This is a very important question. The fate of another character hangs in the balance because of her. Last time we saw Shuri, she managed to salvage most of Vision’s data before getting knocked unconscious. If she survived the Decimation, she could be paramount to bring at least one of the Avengers back. Interestingly though, the trailer reveals a scene where she is put under the “missing” tag along with some of the dusted heroes.
That could mean she was slain along with her brother. Or she might be alive but not working with the remaining Avengers yet. I mean, it was them who brought war and death to her home. Does she have her own agenda now? Time will tell.
We finally get a glimpse of Clint Barton after his absence in Infinity War in this trailer. Only…he isn’t Hawkeye anymore. He is in the shoes of another comic book character called Ronin. There are some other characters like Echo who operated under this cover identity. But Clint’s stint was more prominent in the comics.
The reason he wasn’t active during Infinity War because of his plea deal with the government. He had a family to protect and care for. Something tells me in his thousand yards long stare here that they might not have survived. Hence, his blatant disregard to government contract.
For reference, here’s the comic book version of Ronin.
Ant-Man is out of the Quantum Realm
This might be the biggest revelation of the trailer. Last time we saw Scott Lang, he was journeying into the Quantum Realm with the help of the Pym family. In a tragic sequence of events, Scott got stuck there after the Pym collective turned to ash. How he got out may end up being the single saving grace for the Avengers family, and the world.
Now Scott was using his trusted friend Luis’ van for the Quantum Realm incident. It might be possible that Luis survived the Snap and came back to rescue Scott through the radio. Or Scott could have gained powers due to excess exposure to the Quantum Realm ala Janet Van Dyne. But that’s unlikely because it didn’t help Janet herself.
Time travel is a safe money bet. Right as he’s venturing into the Quantum Realm, Scott is told by Janet van Dyne: “Don’t get sucked into a time vortex.” That seems to be a pretty on-the-nose warning but also one clear enough for a dope like Scott to eventually realize might be the key to him escaping his predicament. We’ll see.
Speaking of time travel
As the leaked set photos suggested earlier, time travel is definitely playing a big role in Avengers: Endgame. We see a hint of that in the trailer as well when we see Captain America in his winter soldier suit.
We don’t know what’s cooking, but Cap certainly isn’t donning this particular old suit for no reason.
So, that’s it, folks. There is a long five-month wait before we close out on the first decade of MCU. It’s actually a good thing the trailer left out crucial plot points. This lets us converse and speculate about our heroes’ struggle to save a universe torn apart. After all, as the name reveal tells us, it’s about undoing the tragedy that has left them…disassembled.