As a young adult who’s been born and brought up in Dhaka, much of our generation view the city in rose-tinted glasses online or in media. In the age of social media, you’ll be hard pressed to find anyone who isn’t familiar with aesthetic photos of Dhaka from numerous Instagram posts or through popular song lyrics. #JadhurShohor. But the stark reality is that living in this city is much grimmer than it might seem. The dog eat dog nature of Dhaka has been beautifully portrayed in the recently released film “Live from Dhaka”.
Nothing but the truth
Written and Directed by Abdullah Mohammad Saad, “Live from Dhaka”, chronicles the days of Sazzad, the protagonist played by Mostafa Monwar, and his miserable state of life in the city of Dhaka. Sazzad being unemployed and partially handicapped is seen as a guy down on his luck after losing most of his money when the Dhaka Stock Exchange crashes. In addition to his own physical and economic woes, he is being hounded by loan sharks and has to deal with his younger brother who’s plagued by addiction. Although receiving some support and solace within his girlfriend Rehana, played by Tasnova Tamanna, Sazzad decides to cut all his losses and permanently move to Russia.
A grim depiction of Dhaka
But as events transpire, it becomes increasingly difficult for him to escape the gritty reality of Dhaka. The harsh bleakness of his situations was beautifully portrayed in black and white throughout the movie before some very beautiful backdrops of Dhaka.
The film also didn’t shy away from showing the darker underbelly of Dhaka.
By the end of the film, you really start feeling for the protagonist but also reminded of how he is isn’t that different from everyone else.
The acclaimed independent film has been gaining much hype among Bangladeshi film enthusiast back since 2016. It had premiered in a number of International Film festivals around the world and winning Best Actor and Best Director awards at the Singapore International Film Festival (SGIFF) in 2016. The Film was finally released in Dhaka, Bangladesh in Bashundhara City Star Cineplex, on March 29. With stunning visuals, gripping story and comfortable runtime of 1hr and 31mins, you should definitely catch this tale about our beloved Dhaka.
Women have been making films from the beginning of film production history but when it comes to nam a few, we realize how strikingly less number of women are prominent in the field than men filmmakers around the world. In Bangladesh, we currently see a number of women filmmakers actively creating and working in all genres of filmmaking; women like Samia Zaman, Meher Afroz Shaon and Shuchanda only to name a few. These women set an example for female film enthusiasts around the world given how it still remains a challenge for a woman to be a film director and continue to create in this line of work. ‘Through Her Eyes’ is an attempt to inspire women in this field and celebrate those who carved out that opportunity for themselves despite the challenges.
It is a series of screening sessions of movies directed by prominent Bangladeshi women filmmakers, followed by discussion sessions with them, the entry being free for all.
They will be screening a movie on every third Sunday of each month at the Goethe-Institut auditorium at 5 pm for everyone to join and celebrate & inspire women in the film industry. It is undoubtedly an amazing opportunity for both male and female film enthusiasts, students, academics, professionals and people from all walks of life to come together to watch award-winning films by women filmmakers currently working in Bangladesh and to interact with them directly at the end of the screening.
happened on the first day?
As part of the initiative, the first day included a screening of the film “Under Construction” directed by Rubaiyat Hossain that was followed by a highly interactive Q&A session held at Goethe-Institut Bangladesh auditorium. The film is a realistic representation of the life of a modern Muslim woman struggling to find herself in the sprawl of male-dominated urban Bangladesh.
In the constantly changing dynamic city of Dhaka, Roya, an
actress in her early thirties, has to face her first challenge. She has been
playing the same part repeatedly for years now, working for a stage director
who now thinks she’s getting too old in spite of her young age. She enters a
deep introspection about her life, her desires, her art and her place in the
patriarchal society. Rubaiyat Hossain’s film Under Construction provides the
portrait of a woman, whose life is still under construction.
The guests were clearly impressed by the emphasis on the
details in the film and the story itself. One of the guests, Nadira who aspires
to be a filmmaker told us she was overwhelmed to see a woman just like her
creating something so brilliant. “The film was so impressively time-frame
focused and realistic; the details were so carefully worked on. It was
amazing!” she told us.
should definitely go:
“The film inspired me to keep moving, no matter where life takes us. What really matters the most is if you’re still doing what you love”
Said Sadia who also told us that every moment of the event was worth it to her.
Besides the chance for us to come together and watch amazing
creations of these inspiring women, the monthly programme will also be a space
for young filmmakers, academics, film enthusiasts to engage in discussions, to
learn about opportunities and career paths to critically interrogate societal
relations. Moreover, the event promotes networking and will help us find out
about the industry and important aspects for rising filmmakers like what kind
of challenges should young filmmakers be ready for and what role can others
play in this. What’s better? It’s free! So if you want to spend a Sunday
evening watching something worthwhile, this is it!
Rubaiyat Hossain, one of Bangladesh’s handful of female filmmakers is known for her critically acclaimed debut feature film Meherjaan (2011) which due to its anti-war narrative, and critic of masculine nationalism from a feminine point of view, faced political and cultural outrage in Bangladesh. It was stripped down fromtheatres across the country only a week after its release and is still prohibited from being screened. While Under Construction (2015) is her second film that has won several national and international awards, she just finished the shoot for her upcoming film Made In Bangladesh.
Having completed her B.A. in Women Studies from Smith College, USA and M.A. in South Asian Studies from the University of Pennsylvania, she is currently attending the Tisch School of Arts at New York University in Cinema Studies while living between Dhaka and New York making films. Besides being a filmmaker, she is an interdisciplinary research scholar and has worked for prominent women’s rights NGOs in Bangladesh like Ain O Shalish Kendra, Naripokkho and The Asia Foundation. Moreover, she was the assistant coordinator for the first international workshop of Sexuality and Rights organized by BRAC School of Public Health in 2007 and has also worked as a part-time lecturer in the Department of Economics and Social Sciences at BRAC University, Dhaka, Bangladesh.